Today's Highlights

11 July 2024

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HKAC CREATORS FOR TOMORROW - EnListening

Venue: McAulay Studio, LB/F, Hong Kong Arts Centre 
Date: 2025.02.22
Time: 16:00-17:30 
Price: Free admission, please register through online form 
Introduction
 

Sound X Computation X Butoh

Machines reflect the desire for control, embodying our expectations of the ‘other,’ which often results in imbalanced power dynamics centered around ourselves. While we are confined to our own perspectives, could there still be ways to genuinely listen to others? Is there something worth exploring in the potential intersections?
 
EnListening is a interdisciplinary research project encompassing sound art, computer software development and improvisational movement. In recent years, the use of artificial intelligence (AI) in creative productions has become increasingly common, raising existential questions about humanity – particularly regarding the possibility of computers outperforming humans. The fear stems from the prioritisation of ‘human-like AI’ development, which tends to overlook the fundamental differences between humans and machines. In the context of generative AI, Its creative output is often evaluated solely through the lens of our aesthetics.
 
EnListening emphasizes the dynamics of collaboration rather than control in human-machine relationships. In the development of his performance system, Shawn aims to exemplify the distinct digital perspective and expression by employing machine-learning and algorithmic composition techniques. Through collaboration with Butoh dancer, Tomás Tse (Theatre Aether), EnListening seeks to present an improvisational dialogue between human and machine, exploring the intersection of sound, computation, and dance.
 
EnListening hopes to reflect the concept of relationships and to explore the interactions between distinct realities.

 

Research presentation & performance

Collaborator: Tomás Tse @Theatre Aether

Language: English
 

Online Registration


About Artist

Guyshawn is a sound artist/ composer/ researcher from Hong Kong, currently based in the Netherlands to pursue his Master's Degree at the Institute of Sonology, Royal Conservatoire The Hague. After graduating from the School of Creative Media at City University of Hong Kong, his work has been featured in numerous productions, including films, theatre, live music, and art installations. He has also been invited to teach Sound Design at The Hong Kong Polytechnic University. His current artistic interests lie in Computer Music and Noise, focusing on algorithmic composition, live-coding, and sound installation, exploring musicality in noise within the concepts of music, information, and structures. 

Personal website: wongguyshawn  | Instagram: wongguyshawn

 

About Collaborator

Tomás Tse is a Butoh artist based in Hong Kong. He began his Butoh training under the late master Waguri Yukio in 2010 and has since emerged as one of Hong Kong's leading Butoh performers. In 2012, he founded "Theatre Aether," the first Butoh troupe in South China. In addition to his work in Butoh, Tomás is a professional theater actor, dancer, and yoga instructor. He is also an experienced art critic, specializing in dance, film, and cultural commentary, with articles published in Hong Kong and Macau.

Tomás's creative work spans various disciplines, including visual art, writing, and movement. His performances and choreographic pieces have been showcased both locally and internationally, including the International Festival of Dance and Music in Bangkok in 2018 and the Macau Arts Festival. In late 2019, he premiered his first solo dance work, "Duo Duo: A Hypothetical History of Alienation."

Beyond his performance career, Tomás is dedicated to researching Eastern body performance training, exploring topics such as dance notation, the contemporary relevance of traditional performing arts, and body training methods for performance.

Instagram: theatre.aether


HKAC CREATORS FOR TOMORROW, initiated in 2020, aims to support the professional development of emerging artists, curators, creators, and researchers in Hong Kong. It provides resources like funding and venues to help participants unleash their creativity and bring their proposals to life. Through this programme, the Hong Kong Arts Centre curatorial team works closely with emerging creators, offering guidance and opportunities to gain valuable experience and establish their careers in the art field, enriching public life with innovative art.

 

About Hong Kong Arts Centre

Art for Passion, Art for Life, Art for All

Since 1977, the Hong Kong Arts Centre (HKAC) has been a platform for nurturing and supporting artists, and infusing art into everyday life. Its unique arts and educational programmes aim to make the arts accessible for all. The HKAC believes in the transformational power of art for people from all walks of life. Established more than four decades ago, the HKAC bring art to the people of Hong Kong – by presenting programmes for visual arts, performing arts, moving images and media arts, comics and animation. Other areas also cover arts education, conferences, festivals, public art and community projects, all done with the vision and mission of engaging and inspiring creativity in the Hong Kong community.

In 2000, HKAC founded its educational arm, Hong Kong Art School (HKAS). The HKAS provides award-bearing programmes to nurture artists and art practitioners, as well as short enrichment courses for the general public. The HKAC aspires to engage everyone in the community to become an active participant in the arts – as an enthusiast, an artist or a patron.

Let’s continue to embrace ‘Art for Passion, Art for Life, Art for All’, and share the inspiration.

Official website: hkac.org.hk | Facebook: Hong Kong Arts Centre | Instagram: @hongkongartscentre


Financial Support
Hong Kong Arts Centre is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region.

The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region.

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